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'De la Sonorité' (1934) and 'Mécanisme-Chromatisme' (1927) among others
playing with the Elector's orchestra in Bonn
undoubtedly with the support of Rossini
This culminated in their publication in an anthology that proudly sports the opus number “1” in 1731
Motet (4 parts grade 3-4 Staccato warm-up exercise)
Peter Senchuk - Sonatina for flute and piano or flute and ensemble *AMEB Publications 'De la Sonorité' (1934) andSenchuk had long held a desire to venture into the jazz realm in composing, and his new Concertino was the perfect excuse. Though he avoids any use of improvisation, he says he relied heavily on jazz melodic, harmonic, and rhythmic structures. The Concertino opens with a long, free solo, encouraging the artist's individuality, with the ensemble slowly gaining ground as the work progresses.
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