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standing at the microphone with one arm raised in a charged stage gesture
this portrait of Debbie Harry and Iggy Pop with sunglasses concentrates the style
but the social and artistic environment from which a new visual language emerged
Michael Grecco records the band as a social composition: seated and standing figures
giving the meeting of Harry and Pop the ease of a shared milieu rather than the staging of celebrity
William S. Burroughs with Debbie Harry, New York City, 1980 Blondie standing at the microphone withWilliam S. Burroughs and Debbie Harry photographed in New York City in 1980 by Bobby Grossman. Here the Beat novelist William S. Burroughs sits beside Debbie Harry, the frontwoman of Blondie, in a pairing that captures the easy traffic between literature and pop in downtown New York. Burroughs had become a revered figure to punk and new wave musicians, his deadpan presence a fixture of the same Bowery and club world that produced Harry. By 1980
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