Everything Was Beautiful And (Almost) Nothing Hurt NULL Tilman examining forms

examining forms

he increasingly pushed his line into the expressive possibility of liquid calligraphy

Through this process -a skillful use of lenses and filters- Knot questions what he sees: he creates optical phenomena of lights and shadows

As a catalyst for his exploration of this topic

clean lines

Everything Was Beautiful And (Almost) Nothing Hurt NULL Tilman examining formsThis captivating photograph captures the essence of New York through a unique lens. Wajdowicz, known for his minimalist and semi abstract approach, relies solely on in camera techniques to craft his images. Archival pigment print, blind embossed stamp and signed by the artist. Limited edition of 9. Shipments are in a hard tube, protected with acid free tissue.